Magična oaza: Prošetajte najlepšom baštom Marakeša, koja je bila OMILJENO MESTO Iv Sen Lorana (VIDEO)

Svako ko je u poseti čudesnom marokanskom gradu, Marakešu, trebalo bi da poseti i njegovu najlepšu baštu – Vrt Mažorel.

Za one koji nemaju tu priliku, donosimo virtuelni obilazak i zanimljivu priču o istoriji ovog mesta.

Ovaj prelepi vrt koji godišnje obiđe više od 700.000 posetilaca, a krije bujnu oazu koja je bila stalni izvor inspiracije slikara Žaka Mažorela i modnog dizajnera Iv Sen-Lorena.

Istorijat

Погледајте ову објаву у апликацији Instagram

#my5Majorelle #SIMONEFATTAL ⠀ ⠀ “Secret Conversation.” ⠀ ⠀ 5 days – 5 photographs Over the next few weeks, the Fondation Jardin Majorelle will invite its collaborators and artists who have exhibited at the mYSLm to post to its Instagram accounts. This week, the artist Simone Fattal shares her #my5Majorelle insights and vision of the Jardin Majorelle. Link in bio to discover Simone Fattal’s exhibition with Etel Adnan and Robert Wilson at the mYSLm: “Garden of Memory” (May-September 2018) ⠀ ⠀ Simone Fattal is a sculptor and the founder of The Post-Apollo Press. Launched in 1982 in Sausalito, California, the publishing house is dedicated to printing innovative and experimental literary works. In her artistic practice, Fattal’s oeuvre encompasses sculptures, ceramics, collages and paintings. Fattal currently lives in Paris, and has had recent exhibitions at Bergen Kunsthall (2020), MoMA PS1 (2019), mYSLm (2018), Rochechouart Departmental Museum of Contemporary Art (2017), and at Sharjah Art Foundation (2016). ⠀ ⠀ Photo 1. © Fondation Jardin Majorelle / Orpheas Emirzas 2. Jaimal Odedra #jardinMajorelle #mYSLm #my5Majorelle #SimoneFattal #museeyslparis #myslmarrakech #EtelAdnan #RobertWilson #BobWilson #bluemajorelle #bleumajorelle #majorelleblue

Објава коју дели Jardin Majorelle (@jardinmajorellemarrakech) дана 4. Мај 2020. у 1:45 PDT

Izgled bašte je osmislio francuski orijentalista Žak Mažorel, tokom perioda od skoro četrdeset godina, piše Travel Magazine.

Davne 1923. godine Žak je kupio plac koji je nastavio da razvija godinama, gradeći na parceli i kuću u mavarskom stilu za sebe i suprugu.

Pošto mu se mavarska kuća na kraju nije dopala, početkom 1930. godine angažovao je arhitektu Pola Sinjora, da je zameni zgradom u potpuno kubanskom stilu, sve sa plavom fasadom koja je postala simbol vrta.

Mažorel je potom pažljivo počeo da uzgaja 135 biljnih vrsta sa pet kontinenata, pretvarajući imanje u očaravajuću baštu.

Vrt Mažorel – omiljeno mesto Iv Sen-Lorana

Погледајте ову објаву у апликацији Instagram

#my5Majorelle #ETELADNAN ⠀ ⠀ “The palms evoke a shadowy Paradise.” ⠀ ⠀ 5 days – 5 photographs Over the next few weeks, the Fondation Jardin Majorelle will invite its collaborators and artists who have exhibited at the mYSLm to post to its Instagram accounts. This week, the artist and poet Etel Adnan shares her #my5Majorelle insights and vision of the Jardin Majorelle. ⠀ ⠀ Link in bio to discover Etel Adnan, Simone Fattal and Robert Wilson’s joint exhibition at the mYSLm: “Garden of Memory” (May-September 2018) ⠀ ⠀ Etel Adnan (b. 1925, Beirut, Lebanon) is a poet, essayist and visual artist who divides her time between Lebanon, France and the US. She retired from a permanent teaching position in the late 1970s and now devotes herself to her art and writing. A powerful voice in feminist and antiwar movements, Adnan has published several works of poetry and fiction, including “Sitt Marie Rose” (1978), “The Arab Apocalypse” (1989) and “Master of the Eclipse” (2009). Numerous exhibitions of her work have been organized throughout the world at the most prestigious institutions. ⠀ ⠀ Photo 1. © Fondation Jardin Majorelle / Adnane Zemmama 2. © Galerie Lelong / Fabrice Gibert #jardinMajorelle #bleumajorelle #majorelleblue #mYSLm #my5Majorelle #EtelAdnan #museeyslparis #yvessaintlaurent #myslmarrakech #SimoneFattal #RobertWilson

Објава коју дели Jardin Majorelle (@jardinmajorellemarrakech) дана 19. Мај 2020. у 1:54 PDT